John Shoptaw
Animal Spirits
I stopped my breath at the red squirrel pup
who caught my eye as she twitched in wait
on the deer fence, over the tabby gate,
for her brother to appear and to commence
their matutinal game of chase and seize.
Then, after a moment, she disappeared,
reappeared on the oak trunk toward the creek
with nobody on her tail, till with a back flip,
giving nobody the slip, she skittered off,
skittered back, then reappeared
on the deer fence over the tabby gate.
Her brother never plays this way, as though
the object of the game were to play the game.
I wonder if she misses her sister. I remember
when their mother led the three of them down
into the sly world below their oak nest,
and, sometime later, when I came across
a squirrel’s unflinching tail and was overtaken
by an image of the missing sister, full of play,
seized by a red-tailed hawk, who played for keeps.
The tabbies were long gone by then.
Old Max — Our last? — one day just
stopped eating. Whether he,
or something in him, knew it was time,
I wish I knew. One afternoon,
I captured an idle picture of him
on his blue garden chair, looking down
and to one side, preoccupied with his life.
The picture now curls on our refrigerator door
with a number of bleached family photos.
One moment he was outdoors, sitting
right before me, the next he’d somehow
leaped into the picture from within which he looks
out now, like a poet from a poem left behind.
The word gate does too much justice to the gap
we snipped into the wire mesh of the deer fence,
too small for a coyote, we hoped, though not
for a tabby. Or for me. I could probably
work my leg through, maybe even my head,
though I might not be limber enough anymore
to pull it back out.
So how do I find my way to the gate
of Earth and enter the Animal Kingdom?
It’s no good me saying, I’m an animal,
so I’m there already. I’ve got an animal’s
body. But it’s not an animal. I am.
My brain waves are animated. I feel them,
though I don’t know them past knowing I’m alive.
Any tabby scrabbling a paw under a door
for something it just batted there
would know what I’m talking about — living
from one end of life to the other.
And from there? That’s where
the shape of the door and the room it leads to
dissolve, like darkness into light or vice versa.
An animal’s spirit is more than its body,
but it hangs onto it for dear life.
When the body’s vital functions start
tapering off, its animal spirit doesn’t
depart. It settles down, as if to watch
something passing by — something
I’m not at all ready to do. Not just yet.
I try to keep up with lives outside of mine,
keep track of my symptoms. If I notice
things easing away from me,
I’ll make my grip more fierce.
about the author
John Shoptaw’s new collection, Near-Earth Object, will be published by Unbound Edition Press, with a foreword by Jenny Odell, in April 2024. He teaches poetry and ecopoetics in the English Department at UC Berkeley.